Batman Incorporated Vol. 1: Demon Star (The New 52)

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Add to List. Add to Registry. Product Highlights About This Item We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it. See our disclaimer. As Leviathan enacts a plan that threatens the world, Batman and his allies must fight against the rising storm--but not everyone will make it out of the encounter alive.

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Get to Know Us. Customer Service. In The Spotlight. Shop Our Brands. However, it also suggests that the clocks on these sorts of iconic superheroes always go backwards. Morrison may have written a story that should really be the end of Batman, but the nature of the beast is that Batman will just keep going. We go from the end back to the beginning.

Batman Incorporated Vol. 1: Demon Star

The end of Batman Incorporated sets Gotham back to zero year. The author has very cleverly tied the idea back to the pearls that Martha Wayne wore on the night of her death, and seeded it throughout the run.

Batman Incorporated is full of images and cycles of violence and brutality. Talia takes Batman back to where it began in a number of ways. She dismantles Batman Incorporated, restoring the Caped Crusader back to his default form.

Batman Incorporated Vol.1 - Demon Star

She also murders their son, making him the same lonely childless bachelor he was back at the start of the run. Batman Incorporated plays with the imagery and iconography associated with Batman, just like the rest of the run does. The Heretic is just another in the long line of villains who exist to mirror Batman, a distinguished subcategory of bad guys that includes Bane and the Killer Moth and Hush. There is a sense that all of this has happened before, and all will happen again.

Morrison gets a little bit more meta and self-aware when he jumps forward in time for his last Damian-as-Batman story, returning to Arkham Asylum.

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This is Morrison journeying back to the beginning of his own association with Batman. In that story, the inmates claimed the asylum and the sane outsiders tried to claim it back.

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Here, the image is inverted. Inversion is a recurring theme in Batman Incorporated. Well, except for the mind-control drugs in the food. Leviathan — an empty, arbitrary suggestion of vague promises and unformed ideas, like the bat. While Talia causes untold destruction to Gotham, and kills countless people, her primary objective seems to be be to undermine and deconstruct Bruce Wayne as Batman. It is striking back at Batman using his own tools and methodology.

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In keeping with the Ouroboros theme, cannibalism is something of a recurring motif in this second half of Batman Incorporated. Patterns recur and cycles repeat. Bruce Wayne was born of the collapse of a family unit; the death of his parents. Damian Wayne undergoes a similar trauma; Morrison treats the disagreement between Bruce and Talia as an especially bitter divorce.

Thomas and Martha Wayne were never around to teach Bruce how best to be a father, and that trauma plays out again.


And not because you cared about my happiness. Bruce Wayne was abandoned by his parents in death, while Talia was abandoned by her father so he might claim immortal life. Morrison and Burnham reinforce this idea of cycles of abuse by offering duplicated panels of fancy ninja training for young Talia and young Damian. The patterns of abuse and neglect repeat themselves. We find ourselves trapped in them. Batman Incorporated dutifully puts all the toys back in the toy chest so that the next person to play with them can enjoy much of the same freedom that Morrison had.

Damian Wayne is dead. Bruce Wayne is no longer a father. Batman Incorporated has been disbanded, despite the fact that it performed a vital role in saving the day — even if it did provoke Talia. One of the great ironies of this conclusion is the fact that DC immediately began working to reverse the death of Damian Wayne.

Batman Incorporated Vol. 1: Demon Star [The New 52] Morrison, Grant VeryGood | eBay

Damian Wayne had become such a popular and well-loved character that DC would scramble to find a way to resurrect him. It is, in its own way, an oddly heartwarming coda. Grant Morrison is one of the best superhero writers working in the business today. After all, he has witnessed the disaster that was marvel trying to tidy away his spectacular New X-Men run in order to satisfy various editorial demands. At the same time, there is the faintest sense of weariness to it all. An attempt to lure in new readers by ditching a lot of the convoluted continuity and shared history of the wider DC universe, the reboot effectively wiped away decades of history from DC.

In theory, it offered a new beginning for these characters. In practise, it was just a little bit convoluted and messy. One Million. Morrison has been fairly even-handed in his discussion of how the reboot affected his Batman Incorporated , accepting it as a necessity even if it could be a little frustrating :. And honestly, although it feels like having the carpet pulled out from under you when the universe changes, at the same time it has to do that, you know? There are points where it does feel like continuity is straining , as if Batman Incorporated sits between the brand pre- and post- Flashpoint versions of the DC universe.

The character designs have changed to reflect the redesigns for the reboot, even as the character relationships and dynamics feel strangely out of place.

There is a sense that Morrison is brushing up against the limitations of Batman and of mainstream superhero comics here. Morrison is a writer with an obvious and abiding affection for mainstream superheroes. However, this second half of Batman Incorporated feels positively cynical in its treatment of Bruce Wayne. All of this could have been avoided had Bruce been willing to talk to Talia like a normal person.